Wall mounted shadow box depicting a fantasy landscape incorporating aspects of the San Jose area's Adobe headquarters circa 2014. Contains an oil on canvas background, color photography, video screen, and electronics.
This new version of 2007's Constant World, with nine live video cameras, presents a utopian world that acts as its own advertisement. This new sculpture, with sound and a slowly evolving video track with text and color is a ceiling mounted assemblage of metal spheres, models, and lights. It portrays a film noir melodrama set in an urban environment that ...
This wall mounted box contains two video monitors mounted on photographs and a book, The Discovery of Freedom. The larger monitor contains a collaged landscape of images of De Smet, SD the site of the Laura Ingalls Wilder homestead. Laura's daughter Rose Wilder Lane coined the term "libertarian". In this work the stark landscape of her youth is juxtaposed with ...
Based on existing architectural schemes for Belle Isle, an island in the river next to Detroit, this sculpture envisions the skyline of a free market, off shore property development. The video depicts abstracted images of drag racing in the streets of Detroit.
The sculptures in this series present liminal spaces, areas posited to be next to the desirable landmarks of contemporary life. In Along the Roadside, a photograph of a cement factory looms behind a farm as a video imagines the road trip to get there.
In At the Old Headquarters, a cast plaster miniature of an office building sinks into roofing tar. Markings on the building are reminiscent of pixacao, Brazlian graffitti often found on multi story squat buildings. A roof mounted monitor shows a distorted and duplicated looping image of a parking lot.
In Behind the Hillside, miniature garbage covers the ostensible back side of a hill. The front of the hill is absent, posited to be the desirable site. Amongst the garbage, a small video monitor plays an interrupted image of wild grasslands.
Between the Resorts depicts a no mans land between a simulated ski slope and a simulated water park. Embedded video shows images of sand blowing across pavement.
In Chrysalis, a blue tower rises, cracked open to reveal a fleshy pink interior structure. Scaffolding on the surface provides scale and suggests human presence, either within or without. The video projection and prog-rock inspired soundtrack deliver an image of future conditions.
In Front of the Substation depicts a utilitarian building perched on sand and debris. Safety orange fencing has been partially destroyed. The embedded video monitor shows images of acid colored rushing water.
Near the Communications Tower depicts a tar pit as a foreground to an embedded photo of an office building. The video, mounted flat to the base of the work where a fountain might be, contains a hyper-speed montage of scenes from contemporary life.
Near the Villas explores the dichotomy between luxury construction on a depleted environment. The sculpture depicts a make-shift construction site that mixes scale model cranes, childhood building toys, and photos of middle eastern villas. These are embedded into unfinished sculptural forms, reflecting temporary and quickly built constructions. A small monitor contains footage of a childhood road trip through a much ...