solo show:In August of 2010, the McCoys began a temporary relocation to Abu Dhabi, capitol of the oil rich United Arab Emirates. The projects in this, their fifth, solo show at Postmasters gather their first impressions of life in this complex and often contradictory Middle Eastern culture.
Architecture of Fear explores how feelings of fear pervade daily life in the contemporary media society. The cause of fear seems interchangeable and constantly fluctuating. Shifting from one thing to the next, often relating to invisible or indirect phenomena’s (terrorism, viral diseases, pollution, financial crisis), anything has the ability to become a potential threat. Rather than an immediate emotional strategy …
BRIEF HISTORIES brings together contemporary works responsive to the unfolding events in the region and the larger global happenings of the day. The show will be momentarily materialized in the intimate setting of a villa in Sharjah, United Arab Emirates, and subsequently posted online. Diverse participants, from six continents, present photography, moving image, installation, drawing, text, and web-based work. Themes …
For Installation View, the McCoys bend their artistic practice of revealing how meaning is made, to focus on how meaning is displayed. Their curatorial effort here aims to discover the private lives of art works. As an intervention into 601’s affiliated collection, they have created a site-specific exhibition out of non-site-specific art. Whether situated outdoors, in a guesthouse, or in …
Solo Exhibition (curatorial project):Installation View: Streaming Live from a Private New York Collection is a curatorial project by US-based artists Jennifer and Kevin McCoy that explores “the private lives of artworks.” For their investigation, the artist/curators have gained access to an extensive private contemporary art collection, and have selected works by William Eggleston, Fischli & Weiss, Susan Hamburger, Louise Lawler, …
For its summer show Young Projects will be focusing on digital projects made by artists working in the realm of game modification, hacking, patching and other code-based practices. The show includes a number of interactive works, where the viewer manipulates the work and thus, the aesthetics of the experience in real time. At the center of the exhibit is the …
The point between love and hate is a fine line when you live and work with your partner. The shared physical space of the home and mental space of love and relationships has tremendous influences on the art-making process, development and professional drive of individuals. As part of Fotofest’s Biennial event, Aurora will feature the work of six collaborative teams …
Group exhibition (curatorial project):A common art-making strategy when one enters into new territory is to listen, to ask, and to wait. As newcomers to Abu Dhabi, we considered this strategy, but then rejected it. Instead of waiting to receive information, we begin our sojourn in the Emirates by making an offer. In curating this show, No Customs, held in our …
A paradigm shift in contemporary art is rare and hard to recognize at its inception, but that is what curators Sarah Lewis and Daniel Belasco have done in The Dissolve, SITE Santa Fe’s Eighth International Biennial. The curators will present a new sensibility in the art of our time, a mingling of up-to-the-minute technology and traditional visual arts (painting, drawing, …
Solo Exhibition: Jennifer and Kevin McCoy present a unique combination of sculpture and video in this exhibition exploring multiple realities through constantly shifting stories.